As we approach Sunday-week’s 700th broadcast of UT, I thought it might be a good time to answer a question that many people have asked me over the years: how did you first become interested in ambient music?
Well… a long time ago in a galaxy far, far away there lived a 16 year-old schoolboy named George. One Thursday “activities day” afternoon, George was listening to the radio while painting a mural on the wall of the art room at De La Salle College, the school he was attending in the southern Sydney suburb of Kingsgrove.
Suddenly George’s attention was seized by the sounds of an extaordinary piece of music, the likes of which he’d never heard before, emanating from the speaker and swirling around the room; music that consisted of a wash of gorgeous synthesiser sounds above which floated the strange, nonsensical words of an ethereal female vocalist. George was entranced.
Then, 3 minutes later, the song finished, and he soon forgot all about it.
Returning from a trip to town on the hot, overcast Saturday afternoon immediately preceding the beginning of semester, one of George’s newfound friends pulled an audio cassette out of the glovebox of his car, inserted it into the cassette deck and hit the play button.
Suddenly the vehicle was filled with – you guessed it – a wash of gorgeous synthesiser sounds above which floated an ethereal female vocal.
George quickly discovered that his friend not only knew the name of the artists responsible – but owned a huge collection of recordings by them – and other similar artists as well. It was the beginning of an infatuation with electronic, ambient and related atmospheric music that continues unabated nearly a quarter of a century later.
So what was the piece of music that started it all? See (and hear) for yourself…